Bell Drum (percussion sextet - from Between Zero and One)

for Percussion Sextet

Overview

One of the works/movements from the concert-length show "Between Zero and One" created in collaboration with New Zealand's Strike Percussion.

This piece was inspired by a chance experience of a busking performance by the Nelson-based bell drum maker Jim Wafer. I talked with Jim about the instruments and about the Strike show and we decided to commission him to make four drums for a performance by Strike on 12 October 2013.

There's more information and material at the Turnbull Library listing about this piece

These instruments are so beautiful I didn't need to do much, just create layers and textures.

I realise now Jim's belldrums were the pre-cursor to the now very popular (almost ubiquitous) hangdrum.

The SoundCloud audio below is a demo mockup I made for the group. It has episodes (and ends) with an amazing discovery we made when workshopping; one player holds a tom-tom at head level, and covers the hole (where the tom stand would enter) with their mouth, creating a vacuum. Another percussionist performs rolls on the drumhead as the first player breaths in and out - creating a rising and falling glissando, similar to a timpanist using the pedal. This was a very cool effect and we created textures of multiple drums being played this way, in the show. It has the added advantage of producing something visually striking in a live performance. The end of Bell Drum moves seamlessly into 'Africa' from the same show.

The show Between Zero and One landed strongly with audiences. I wrote several encores, to match the audiences' appetite. That's a good feeling. I decided to make a version of this track as an encore and to write myself a keyboard part to play. I've been wanting for decades to return to live performance, and was trying to create opportunities. Strike were very accommodating. I practiced my part to the nth degree and really new it. But live, I didn't have my own in-ear click and I could hardly hear the bell-drums at all when playing the synth line I'd rehearsed so diligently. A friend made a passing comment "oh, it sounded like you were freely improvising, independently of the group". That was the last time I joined Strike onstage and it set me back years in terms of confidence. But the slow game will get you there: Here I am performing with an orchestra and Arjuna Oakes (10 years later!); a song we wrote and arranged together: Safe Way

Here's a playlist with the demos I created for most of the tracks....

I don't have a complete list of the performances, but these are from the early days:

06 Sep 2013: Premiered at the Christchurch Arts Festival, Christchurch, New Zealand

10 Mar 2014: Performed by Strike Percussion Ensemble at the St James Theatre, in Wellington.

17 Oct 2014: Strike: Between Zero and One | Arts Festival Dunedin 2014

18 Oct 2014: Performed by Strike Percussion Ensemble at the Regent Theatre, in Dunedin.

07 Apr 2015: Q Theatre, Auckland Between Zero and One | Percussion and multimedia project

Key Details:
Difficulty:
Advanced
Premiered:
2013
Duration:
7:18

Commissioner: Strike Percussion

Video editing: Tim Gruchy,

Performers: Strike Percussion

Set and Lighting: Glen Ashworth

Video and Interactives: Tim Gruchy

Director: Philippa Campbell

Instrumentation: Percussion Sextet: Mixed Percussion

Premiered by Strike Percussion on September 6, 2013 at the Christchurch Arts Festival, Christchurch, New Zealand

Mixed Percussion

Instruments:
Mixed Percussion
Percussion
Digital Audio

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Videos

BellDrum from Between Zero and One
Between Zero and One - Strike Percussion Show Reel
Shiva Sleeps from Between Zero and One
Superluminal from Between Zero and One
His Second Time from Between Zero and One
Between Zero and One video version (performed by Strike Percussion)
Waking Brahma from Between Zero and One
Shiva Brahma by John Psathas & Jack Hooker | Furman Percussion Ensemble
Shiva Sleeps - John Psathas & Jack Hooker | Macao Percussion Association

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